Francesco Libetta For The New York Times he is a “poet-aristocrat with the profile and carriage of a Renaissance prince,” while for Le Monde de la Musique he is “the heir of Moritz Rosenthal, Busoni and Godowsky,” and for Corriere della Sera he possesses “a touch of refinement we thought had been lost in the archives of pianistic interpretation.” D’Avalos dedicated all his works for solo piano to him, and Isotta described him as “the greatest living pianist.” He has performed complete piano cycles of Beethoven, Handel, Chopin, Godowsky, Paisiello, and Bosso; he has released recordings of Schumann, Liszt, Ligeti, Ravel, and Debussy. His recordings have received numerous awards from Diapason, Le Monde de la Musique, Classique, and Amadeus, among others. He has collaborated with conductors such as Pappano, Andreae, and Mandeal, and with artists such as Sollima, Caterina Antonacci, and Devia; actors such as Boni, Laurito, Preziosi, and Marchini; and dancers such as Carla Fracci, and he founded the dance group Corerofonie. After studying composition with Marinuzzi in Rome and Castérède in Paris, he composed music for theatre, cinema, acousmatic works, chamber and symphonic music, and the opera L’Assedio di Otranto, staged in Puglia and Rome and released on CD. “Libetta the composer is a poeta doctus,” wrote Isotta, affirming the profile of one of the most esteemed and versatile Italian artists worldwide, ranging from conducting to musical essay writing, visual arts direction, and appearing as a subject in documentaries by Monsaingeon and Battiato; formerly a teacher at the Miami Piano Festival and now active in Martina Franca with the Fondazione Grassi. Francesco Libetta is a Steinway Artist.