Lisa Redorici
graduated in piano at the Istituto Superiore di Studi Musicali “Vecchi-Tonelli” of Modena under Giuseppe Fausto Modugno, continuing her studies with Victoria Pontecorboli and refining her skills in masterclasses with Tatiana Levitina, Ingrid Fliter, Enrico Pace, Oleg Poliansky, and Szusanna Csazar. Always interested in ensemble music, she studied chamber music with Mauro Valli at the Conservatorio “Giovan Battista Martini” of Bologna, earning her second-level academic diploma with highest honors and distinction, as well as the three-year advanced diploma in chamber music at the Accademia internazionale “Incontri col Maestro” of Imola under Nazzareno Carusi. She maintains an acclaimed concert career as soloist and chamber musician, performing in Italy and abroad. She has collaborated with prestigious institutions (Metropolia University of Helsinki, Royal College of Music KMH of Stockholm, Gesellschaft für Musiktheatre of Vienna, Kammermusik L’écritoire of Berlin, Shigeru Kawai Center of Madrid, Conservatorium Zuyd of Maastricht, Fundación Eutherpe of León, Les Concerts de Saint-Merry in Paris, Teatro Coccia of Novara, Teatro Pavarotti-Freni of Modena, Regia Accademia Filarmonica of Bologna, Conservatorio “Giovan Battista Martini” of Bologna, Conservatorio “Vecchi-Tonelli” of Modena), giving concerts in various festivals in Turin, Novara, Milan, Mantua, Ferrara, Ravenna, Rome, Foggia, and Naples. In 2021, she was invited to participate in the Dante celebrations organized by the Ministry of Cultural Heritage as interpreter of Liszt’s famous *Après une lecture du Dante* at the Auditorium Ghiaurov of Modena. With pianist and musicologist Gianluca Blasio, she founded the Blasio-Redorici piano duo. The concert activity of “[…] two pianists of great sensitivity […]” (Stephan Möller, 2023), defined by Massimiliano Cerrito as “[…] of great balance and understanding […]” (2022), sees them performing for various musical institutions in Italy and abroad in Berlin, Vienna, Madrid, and León. In autumn 2025, their first album featuring early 20th-century Italian music is expected. Recently, their collaboration has extended to practice-led research on four-hand piano repertoire through presentations as speakers at conferences and lecture-recitals at the cultural heritage and musicology departments of the University “Federico II” of Naples, University of Pavia, and for the Società Italiana di Musicologia in Catania. With great passion for chamber music for strings and piano, together with cellist Clara Sette she founded the Duo Karis, which has performed in important concert seasons in Italy and abroad, and with whom she recorded live Brahms’ Piano Quartet No. 2 Op. 26 (DaVinci Classics, 2024), and with violist Federica Cardinali she recently released *InCanto Notturno* (Stradivarius, 2025), a recording project entirely dedicated to lesser-known elegiac and nocturnal pieces for viola and piano. As accompanying pianist, she has collaborated with Danusha Waskiewicz, former first viola of the Berliner Philharmoniker, at the Accademia Filarmonica of Bologna, and in the same year closed the “Il Sabato dell’Accademia” season with soloists from the Accademia dell’Orchestra Mozart. Graduated in theoretical physics with highest honors and distinction from the University “Alma Mater Studiorum” of Bologna under the aegis of the Collegio Superiore, she also works in acoustics and musical informatics, disciplines she taught for years in academic courses at the Conservatorio “Vecchi-Tonelli” of Modena, and holds several peer-reviewed scientific publications. Winner of a public competition by qualifications and exams, she currently holds the chair of piano practice and sight-reading at the Conservatorio “Niccolò Piccinni” of Bari.