Lisa Redorici and Gianluca Blasio piano 4 hands

Microseason #4 ● House Concert 2025-2026
Date and Time
March, 15 6:30 p.m.
Frequency mode
in person
Share this event
⬤ Presentation

Gianluca Blasio and Lisa Redorici form a stable and close-knit piano duo with careers in Italy and abroad. After graduating in chamber music with Nazzareno Carusi at theImola Academy “Incontri con il Maestro,” the two pianists started a concert activity that led them to perform regularly in national and international contexts (Naples, Rome, Bologna, Milan, Turin, Vienna, Madrid, Berlin, Paris, etc.).

They offer original programs for piano four-hands, with a focus on repertoire from the transitional period between the nineteenth and twentieth centuries, and in 2025 released their recording album Myricae which includes a world premiere recording by composer Mario Pilati.

Gianluca Blasio is currently pursuing a PhD in performance practice and piano teaching at the “Vecchi-Tonelli” Conservatory of Music in Modena while Lisa Redorici, winner of an ordinary competition for titles and exams, holds the chair of piano practice and reading at the “Niccolò Piccinni” Conservatory of Music in Bari.

 

CONCERT PROGRAM

 

ESPRIT DE FRANCE
C. Debussy – Six epigraphes antiques, L. 139
C. Chaminade – Six pieces romantiques, Op. 55
F. Schmitt – Sur cinq notes, Op. 34
M. Ravel – Ma mère l’oye, M. 60

 

concert and wine

 

A wine tasting will be offered to the public at the end of the concert. Each event will feature different wineries, proposed by the Associazione Donne del Vino Sicilia.

 

logos_sponsors_microseason-4

 

MicroSeason_4_concert_03

Info and costs

SUBSCRIPTION 5 concerts
season ticket campaign open from december 21 to january 31

80 € Full
60 € Reduced

N.B. The abscription includes 5 House Concerts.

 

SINGLE CONCERT TICKETS
Single House Concert tickets will be available starting February 1, 2026

20 € Full
15 € Reduced

 

Reduced: students, teachers from music high schools and music conservatories, musicians from Opera and Symphony Foundations, ESN Palermo members.

 

TICKET OFFICE

Online to follow on this page.

At the office in Via Siracusa 32 (Palermo), by appointment by writing to info@marthapalermo.it or on whatsapp at 3331008512

Date: 15 Marzo 2026

Start time: 18:30

Venue: MARTHA - Music ART House Academy , via Siracusa 32 (Palermo)

Phone: +39 333 100 8512

Email: info@marthapalermo.it

Buy tickets

- +
⬤ Musicians
Redorici
Lisa Redorici
graduated in piano at the Istituto Superiore di Studi Musicali “Vecchi-Tonelli” of Modena under Giuseppe Fausto Modugno, continuing her studies with Victoria Pontecorboli and refining her skills in masterclasses with Tatiana Levitina, Ingrid Fliter, Enrico Pace, Oleg Poliansky, and Szusanna Csazar. Always interested in ensemble music, she studied chamber music with Mauro Valli at the Conservatorio “Giovan Battista Martini” of Bologna, earning her second-level academic diploma with highest honors and distinction, as well as the three-year advanced diploma in chamber music at the Accademia internazionale “Incontri col Maestro” of Imola under Nazzareno Carusi. She maintains an acclaimed concert career as soloist and chamber musician, performing in Italy and abroad. She has collaborated with prestigious institutions (Metropolia University of Helsinki, Royal College of Music KMH of Stockholm, Gesellschaft für Musiktheatre of Vienna, Kammermusik L’écritoire of Berlin, Shigeru Kawai Center of Madrid, Conservatorium Zuyd of Maastricht, Fundación Eutherpe of León, Les Concerts de Saint-Merry in Paris, Teatro Coccia of Novara, Teatro Pavarotti-Freni of Modena, Regia Accademia Filarmonica of Bologna, Conservatorio “Giovan Battista Martini” of Bologna, Conservatorio “Vecchi-Tonelli” of Modena), giving concerts in various festivals in Turin, Novara, Milan, Mantua, Ferrara, Ravenna, Rome, Foggia, and Naples. In 2021, she was invited to participate in the Dante celebrations organized by the Ministry of Cultural Heritage as interpreter of Liszt’s famous *Après une lecture du Dante* at the Auditorium Ghiaurov of Modena. With pianist and musicologist Gianluca Blasio, she founded the Blasio-Redorici piano duo. The concert activity of “[…] two pianists of great sensitivity […]” (Stephan Möller, 2023), defined by Massimiliano Cerrito as “[…] of great balance and understanding […]” (2022), sees them performing for various musical institutions in Italy and abroad in Berlin, Vienna, Madrid, and León. In autumn 2025, their first album featuring early 20th-century Italian music is expected. Recently, their collaboration has extended to practice-led research on four-hand piano repertoire through presentations as speakers at conferences and lecture-recitals at the cultural heritage and musicology departments of the University “Federico II” of Naples, University of Pavia, and for the Società Italiana di Musicologia in Catania. With great passion for chamber music for strings and piano, together with cellist Clara Sette she founded the Duo Karis, which has performed in important concert seasons in Italy and abroad, and with whom she recorded live Brahms’ Piano Quartet No. 2 Op. 26 (DaVinci Classics, 2024), and with violist Federica Cardinali she recently released *InCanto Notturno* (Stradivarius, 2025), a recording project entirely dedicated to lesser-known elegiac and nocturnal pieces for viola and piano. As accompanying pianist, she has collaborated with Danusha Waskiewicz, former first viola of the Berliner Philharmoniker, at the Accademia Filarmonica of Bologna, and in the same year closed the “Il Sabato dell’Accademia” season with soloists from the Accademia dell’Orchestra Mozart. Graduated in theoretical physics with highest honors and distinction from the University “Alma Mater Studiorum” of Bologna under the aegis of the Collegio Superiore, she also works in acoustics and musical informatics, disciplines she taught for years in academic courses at the Conservatorio “Vecchi-Tonelli” of Modena, and holds several peer-reviewed scientific publications. Winner of a public competition by qualifications and exams, she currently holds the chair of piano practice and sight-reading at the Conservatorio “Niccolò Piccinni” of Bari.
Blasio
Gianluca Blasio
graduated in piano with highest honors, distinction, and special mention from the Conservatorio “San Pietro a Majella” of Naples and earned his chamber music advanced diploma from the Accademia Internazionale “Incontri con il Maestro” of Imola. He also graduated with highest honors in cultural heritage from the Università degli Studi “Federico II” of Naples and in musicology with distinction from the Università degli Studi “Statale” of Milan. Described as “[…] a young musician […] who already shows fervent inventiveness, great technical skill, and a clear predilection for the virtuosic side […]” (Teresa Mori, “Roma”, Naples – 2018), he attended masterclasses with Christiane Karajeva, Antoinette Van Zabner Zinn-Zinnenburg, Francesco Nicolosi, Giuseppe Devastato, and Irene Veneziano, and has been awarded in national and international competitions. His constant research perspective regarding the technical and aesthetic aspects of piano interpretation played a decisive role in his choice to refine his skills with Dario Candela, heir to the artistic legacy of Fausto Zadra and Aldo Ciccolini. He maintains an acclaimed artistic career that has led him to perform as soloist and chamber musician, collaborating with the Ensemble Accademico of the Università degli Studi di Milano directed by Stefano Ligoratti, violinists Daniel Dziatkowiak and Myriam Labiausse, cellist Raffaele Rigliari, and pianists Elena Talarico and Pier Carmine Garzillo, giving concerts for various institutions and associations including: Gesellschaft für Musiktheater and Verein Take 5 of Vienna; Shigeru Kawai Center of Madrid; Fundación Eutherpe of León; Les Concerts de Saint-Merry in Paris; Kammermusik L’écritoire in Berlin; Auditorium di San Filippo Neri in Turin; Università degli Studi “Statale”, Casa Verdi, Magazzino Musica, and PalinSesto of Milan; Milan-Malpensa Airport for Fazioli Pianoforti; Sala Biagi of Bologna; Teatro Alighieri of Ravenna; Teatro di Marcello in Rome; Teatro Garibaldi of Santa Maria Capua Vetere; Conservatorio “San Pietro a Majella”, Teatro Bolivar, Centro Italiano di Musica da Camera, Università degli Studi “Federico II”, Certosa e Museo di San Martino, Palazzo Venezia, Auditorium Villa Floridiana, Sala Chopin di Palazzo Mastelloni, Palazzo Serra di Cassano in Naples. A passionate advocate of contemporary compositional trends, his commitment to present-day music has materialized in participation in fascinating projects promoted by composers Cosimo Abbate and Lorenzo Pone, both as pianist (world premiere of Abbate’s Octet for flute, clarinet, piano, and strings) and divulgator (writing introductory texts and program notes). Also active as a scholar, he completed a cataloging internship for printed musical materials at the Biblioteca Nazionale di Napoli “Vittorio Emanuele III” and has published CD liner notes (Da Vinci Classics, Stradivarius, Sheva, etc.) and articles for specialized magazines (“d.a.t.”; “Live. Performing & Arts”). Always interested in the relationship between musicological research and performance, he has given seminars and lecture-recitals on the topic and participated in conferences – for associations such as Il Saggiatore musicale and Società Italiana di Musicologia among others – at the conservatories of Naples, Florence, and Livorno, Fondazione “Humaniter” of the Società Umanitaria, the Universities “Federico II” of Naples, of Pavia, and “Alma Mater Studiorum” of Bologna, and the Centro Studi Opera Omnia “Luigi Boccherini” of Lucca. Previously adjunct professor of piano and music history-related disciplines in pre-academic courses at the Conservatorio “Vecchi-Tonelli” of Modena, he is currently a PhD candidate working on a project focused on piano pedagogy and performance at the Modena conservatory.
⬤ MAP

⬤ UPCOMING EVENTS

Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.